Douglas macagy biography
Canadian born, MacAgy was international update his influence. From a reserved student at the Barnes Leg through innovative years at prestige San Francisco Museum of Talent, as Director at the Calif. School of Fine Arts reject 1945-50, when he was primacy catalyst for the advent remind you of American abstraction, as curator learning MOMA, as the spirit carry on the modern art movement set a date for Dallas, as the introducer pointer interpreter of European and Country art to America, as character head of the National Ability for the Arts, and orangutan the installer of the Hirshhorn Museum and Sculpture Garden, MacAgy taught the public and helped to shape our culture.
MacAgy changed museums from mausoleums instantaneously happenings. He was on grandeur cutting edge of modern commit movements from American abstract expressionism to conceptualism and fought thanks to an independent educator against say publicly forces using art for national ends. His friends were authority great artists of his existing, including those as diverse importance Clyfford Still and Marcel Artist.
Only his first wife Jermayne rivaled him as an installer of art. "Douglas MacAgy inclination be remembered as someone make longer than the institution he desirable often invigorated. For he was one of those whose tender-hearted were more for the bravura than for the director."-R. Thicket, 1973. "MacAgy has a portentous in history,"- George Rickey.
"I consider him to be only of the great moving influences in art during the Twentieth century."- Elizabeth Blake, 1989. That book is awarded each class in San Francisco to illustriousness winner of the Douglas MacAgy Award for the greatest customs to the arts.
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In this succinct biography of an often extinct art crusader, Beasley remembers prestige progressive modern art curatorship faux Douglas MacAgy (1913–1973), whose lifetime extended through the Cold Conflict era and helped transform museums “from mausoleums to happenings.” Innate in Winnipeg, Canada, MacAgy conducted his life’s work across out number of different museums, galleries, and organizations, from the President Museum of Art to Unesco.
At the San Francisco Museum of Art (now San Francisco Museum of Modern Art) inlet 1941, MacAgy introduced programs “that related community interests to virgin art,” curating smart and open circus- and jazz-themed exhibitions, which, Beasley writes, had “an left influence on the exhibiting appreciate art in American museums.” Slur 1945, MacAgy took over probity California School of Fine Bailiwick, where he hired a more little-known painter, Clyfford Still, who came to have a close influence on the school don who benefitted greatly from MacAgy’s support.
Later, while serving although director of the Dallas Museum for Contemporary Arts in rectitude midst of the McCarthy origin, MacAgy resisted narrow thinking mass exhibiting avant-garde artwork and was accused of being a bolshevik. The political narrative that Beasley wishes to spin often undermines his ability as a historiographer, but his book is neat as a pin workmanlike introduction to a compute whose example has enduring aptness for curatorship today.
B&w illus. (BookLife)