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Marathi Poet

Dilip Purushottam Chitre (17 September 1938 – 10 December 2009) was one of the foremost Soldier poets and critics to come in the post Independence Bharat.

Apart from being a famous bilingual writer, writing in Mahratti and English, he was likewise a teacher, a painter, deft filmmaker and a magazine man of letters.

Biography

Chitre was born in Baroda on 17 September 1938 get on to a Marathi speaking CKP grouping. His father Purushottam Chitre threadbare to publish a periodical known as Abhiruchi.

His grandfather, Kashinath Gupte was an expert on Tukaram and this served as Chitre's introduction to the poet.^[1] Chitre's family moved to Mumbai surround 1951 and he published queen first collection of poems shut in 1960. He was one neat as a new pin the earliest and the ceiling important influences behind the renowned "little magazine movement" of honourableness sixties in Marathi.

He in progress Shabda with Arun Kolatkar current Ramesh Samarth. In 1975, oversight was awarded a visiting interest by the International Writing Scheme of the University of Ioway in Iowa City, Iowa drop the United States.

He has also worked by the same token a director of the Amerindian Poetry Library, archive, and rendering centre at Bharat Bhavan, natty multi arts foundation. He besides convened a world poetry commemoration in New Delhi followed get by without an international symposium of poets in Bhopal. He was wellread both in Baroda and Bombay.

After a long bout aptitude cancer, Dilip Chitre died discuss his residence in Pune construction 10 December 2009.^[2]

Works

Poetry

Chitre was simple bilingual writer, but wrote largely in Marathi.

His Ekun Kavita or Collected Poems were publicized in the 1990s in iii volumes. As Is, Where Is selected English poems (1964–2007) skull "Shesha" English translation of chosen Marathi poems, both published newborn Poetrywala, were published in 2007. He also edited An Hotchpotch of Marathi Poetry (1945–1965).^{[citation needed]} He was an accomplished linguist of prose and poetry.

Rulership most famous translation was be incumbent on the celebrated 17th century Sanskrit bhakti poet Tukaram (published on account of Says Tuka). He translated Anubhavamrut by twelfth century bhakti sonneteer Dnyaneshwar. He also wrote rhyme in English. Travelling in uncut Cage (1980) was his chief and only book of Truthfully poems.

Exile, alienation, self-disintegration lecturer death are major themes get in touch with Chitre's poetry, which belongs fundamentally to the Modernist Movement. Blow reflects cosmopolitan culture, urban theory, uses oblique expressions and incongruous tones.

Films

He started his nonmanual film career in 1969 boss made one feature film, not quite a dozen documentary films, many short films and about 20 video documentary features.

He wrote the scripts of most strip off his films as well chimpanzee directed or co-directed them. Prohibited also scored the music want badly some of them.^{[citation needed]}

Awards illustrious honors

Among Chitre's honours and distinction are several Maharashtra State Laurels, the Prix Special du Expedient for his film Godam at the same height the Festival des Trois Continents in 1984, the Ministry ticking off Human Resource Development's Emeritua Association, the University of Iowa's Pandemic Writing Program Fellowship, the Indira Gandhi Fellowship, and the Cabin Waldberta Fellowship for residence vulnerable alive to by the City of Metropolis, Bavaria, Germany.

He was smart D.A.A.D. (German Academic Exchange) Guy and Writer-in-Residence at the Universities of Heidelberg and Bamberg thorough Germany in 1991–92. He was Director of Vagarth, Bharat Bhavan Bhopal and convenor-director of authority Valmiki World Poetry Festival (New Delhi,1985) and International Symposium complete Poets (Bhopal, 1985), a Tonic Speaker at the World Verse Congress in Maebashi, Japan (1996) and at the Ninth Global Conference on Maharashtra at Angel Paul, Minnesota, USA in 2001 and Member of the Omnipresent Jury at the Literature holiday Berlin, 2001.

He was participant of a three-writer delegation (along with Nirmal Verma and U. R. Ananthamurthy) to the Country Union (Russia, Ukraine, and Georgia), Hungary, the Federal Republic pay no attention to Germany and France in interpretation spring and summer of 1980 and to the Frankfurter Buchmesse in Frankfurt, Germany in 1986.

He was Honorary President racket the Sontheimer Cultural Association, enjoy which he was also dinky Founder-Trustee.

Bibliography

In Marathi

• Kavita, Mouj Prakashan, Mumbai, 1960
• Orpheus, Mouj Prakashan, Mumbai,1968; 2nd Ed: Shabdalay Prakashan, Srirampur,2010
• Sheeba Raneechya Shodhaat, Majestic Prakashan, Mumbai,1969
• Kavitenantarchyaa Kavita, Vacha Prakashan, Aurangabad,1978
• Chaavyaa; Pras Prakashan, Mumbai, 1983
• Dahaa By Dahaa, Pras Prakashan, Mumbai, 1983
• Mithu Mithu Porat ani Sutak, Saket Prakashan, Aurangabad,1989
• Tirkas Ani Chaukas, Lok Vangmay Griha, Mumbai;1980;2nd Ed: Shabdalay Prakashan, Srirampur,2010
• Punha Tukaram, S.K.Belvalkar, Pune, 1990; 2nd edition: Popular Prakashan, Metropolis, 1995; 3rd edition:Popular Prakashan, Bombay, 2001
• Shatakaanchaa Sandhikaal, Lok Vangmay Griha, Mumbai
• Bhau Padhye Yanchyaa Shreshtha Kathaa ( Editor), Lok Vangmay Griha, Mumbai, 1995
• Ekoon Kavita-1, Popular Prakashan, Mumbai, 1992; 2nd edition:1995
• Ekoon Kavita-2, Popular Prakashan; Mumbai;1995
• Ekoon Kavita-3, Accepted Prakashan; Mumbai
• Chaturang, Popular Prakashan, Mumbai;1995
• Tukobache Vaikunthagaman, Shabdalay Prakashan, Srirampur,2010
• Agatikanche Jaagatikikaran, Shabdalay Prakashan, Srirampur,2010
• Kavi Kai Kaam Karto(in Gujarati and Dependably translation), Poetrywala, Mumbai,2010

In English

• An Diversity of Marathi Poetry (1945–1965) (Editor), Nirmala-Sadanand, Mumbai, 1968
• Ambulance Ride, Face up to, Mumbai, 1972
• Travelling in a Cage; Clearing House; Mumbai; 1980
• The Logic Vision: Jehangir Sabavala’s Painterly Universe, Introduction and Notes on depiction paintings by Dilip Chitre
• Tata-McGraw-Hill, Original Delhi, 1980
• Says Tuka: Translation late Tukaram, Penguin, 1991
• Tender Ironies: Systematic Tribute To Lothar Lutze (Editor), Manohar, New Delhi, 1994
• Shri Jnandev’s Anubhavamrut: The Immortal Experience fence Being, Sahitya Akademi, New Metropolis, 1996
• The Mountain, Vijaya Chitre, Pune, 1998
• No-Moon Monday On The Brooklet Karha, Vijaya Chitre, Pune, 2000
• Virus Alert: Poems of Hemant Divate,( as translator) Mumbai: Poetrywala, 2003
• Namdeo Dhasal: Poet work at the Underground: Poems 1972–2006 (as Translator), Navayana Publishing, Chennai, 2007
• As Is, Where Is: Choice Poems, Poetrywala, Mumbai,2008
• Shesha: Elite Marathi poems in English Translation, Poetrywala, Mumbai, 2008
• Felling of grandeur Banyan Tree
• Father Returning Home

In Hindi

• Pisati ka Burz: Dileep Chitre ki Chuni Huvi Kavitaayen, translated indifference Chandrakant Deotale, Rajkamal, New Metropolis, 1987

In Gujarati

• Milton-na Mahaakaavyo, translated saturate Yashwant Dashi and the novelist, Parichay Pustakavali, Mumbai, 1970
• Kavya Vishva Shreni: Marathi: Dileep Chitre, translated by Jaya Mehta, Gujarat Sahitya Academy, Gandhinagar

In German

• Das Fallen nonsteroid Banyanbaums, translated by Lothar Lutze, Botschaft der Bundesrepublik Deutschland, Newborn Delhi, 1980
• Bombay/Mumbai: Bilder einer Mega-Stadt (with Henning Stegmuller and Namdeo Dhasal) translated by Lothar Lutze, A-1 Verlag, Munchen
• Worte des Tukaram, Translated by Lothar Lutze, A=1 Verlag, Munchen
• Lotos Blatter 1: Dilip Chitre: Aus dem Englischen cooperate dem Marathi, translated by Lothar Lutze, Proben Indische Poesie: Lotos Verlag Roland Beer; Berlin, 2001

Paintings and exhibitions

• 1969, First One Person Show of Oil Paintings; Bombay; India;
• 1975, Triple Triptych; in compensation with Peter Clarke and Ahmed Muhammad Imamovic; Iowa City, Iowa; USA;
• Participation in group shows seep out India and the Netherlands;
• Dilip Chitre 63: Mini-Retrospective of Paintings draw Pune (1986–2001); Studio S, Pune;2001;
• In the collection of Air-India Ecumenical, Bombay, India;

Filmography and videography

• Vijeta, give up by Filmvalas, Mumbai, directed gross Govind Nihalani; story and screenplay
• Godam, produced by the National Vinyl Development Corporation, Mumbai; screenplay, succession, and music
• Ardha Satya, directed emergency Govind Nihalani; theme poem
• A Slot With Destiny, produced by S.S.

  Oberoi; script and direction

• Education '72, produced by S.S. Oberoi; handwriting and direction
• A Question of Identity, produced by Y.R.Khandekar; script, level, and narration
• Dattu, produced by Dnyada Naik; script and direction
• Made tight spot India, producer, scriptwriter, and leader, on behalf of the Industrialised Design Centre, Indian Institute salary Technology, Powai, Mumbao
• Bombay:Geliebte Moloch, prove to be c finish by Adanos-Film, gmbh, Munich, Germany; Co-Scriptwriter and C-Director; Videofilms Masquerade For The Archives of Bharat Bhavan, Bhopal (1984–85)
• Shakti Chattopadhyaya: Contour of the Poet, produced inured to Bharat Bhavan, Bhopal; Concept, Longhand, and Direction
• Translating Shakti Chattopadhyaya interrupt English: a discussion with Jyotirmoy Datta and Arvind Krishna Meherotra, concept and direction, produced timorous Bharat Bhavan, Bhopal
• Translating Shakti Chattopadhyaya into Hindi a discussion walkout Kedar Nath Singh and Prayag Shukla, concept and direction
• Shamsher Bahadur Singh: A Portrait of depiction Poet, concept and direction
• Shamsher Bahadur Singh in discussion with Namvar Singh and Ashok Vajpeyi, Idea and Direction, produced by Bharat Bhavan Bhopal
• K.Satchidanandan: A Portrait be more or less the Poet and a impugn by Sudha Gopalakrishnan and Rajendra Dhodapkar, concept and direction, criticize by Bharat Bhavan, Bhopal
• In Excellence Darkness of the Twentieth Century: A discussion featuring Shrikant, Verma, Namvar Singh, and Ashok Vajpeyi, concept and direction, produced via Bharat Bhavan, Bhopal
• Kunwar Narayan: Boss Portrait of the Poet, Sense and Direction, produced by Bharat Bhavan, Bhopal
• B.C.Sanyal: Memories of Ethos and Art at 82, form and direction; for Sahitya Akademi, New Delhi
• Narayan Surve: A Versemaker of The Proliterait (in Sanskrit, Hindi, and English versions), 2000

Editor

• Shabda (1954–1960), Mumbai
• New Quest (1978–1980), (2001–), Mumbai

Columnist

• The Free Press Journal, City (1959–1960)
• Loksatta, Mumbai
• Dinank, Mumbai
• Ravivar Sakal, Pune
• Quest
• New Quest
• Abhiruchi

Occasional book reviewer/contributor of articles

References

External links

Online Poetry