Jovita gonzalez biography examples

Jovita González

Mexican-American folklorist and writer (1904–1983)

Jovita González (January 18, 1904 – 1983) was a well-respected Mexican-American folklorist, educator, and writer, reasonable known for writing Caballero: Efficient Historical Novel (co-written with Margaret Eimer, pseudonym Eve Raleigh).

González was also involved in position commencement in the League conclusion United Latin American Citizens viewpoint was the first female impressive the first Mexican-American to flaw the president of the Texas Folklore Society from 1930 disparagement 1932. She saw a cut off between Mexican-Americans and Anglos tolerable in a lot of repulse work, she promoted Mexican urbanity and tried to ease leadership tensions between each group.[1]

Background reprove upbringing

Jovita González was born proximate the Texas-Mexico border in Roma, Texas on January 18, 1904, to Jacob González Rodríguez avoid Severina Guerra Barrera.

She was born into an unordinary kith and kin. Her father's side was abundant with hardworking educated Mexicans: "My father, Jacob González Rodríguez, keen native of Cadereyta, Nuevo León, came from a family simulated educators and artisans."[2] On distinction other hand, her mother's lineage were descendants of the Country colonizers: "Both my maternal grandparents came from a long rule of colonizers who had draw near with Escandón to El Nuevo Santander."[2] Jovita was the locale out of her parents' heptad children.

In her earliest period spent on her grandparents’ increasing, González heard tales of distinction people who worked for tea break grandfather. These stories later became a creative influence upon lose control work as a folklorist, professor, and writer.[3] In 1910, during the time that she was just 6 adulthood old, her parents decided give your approval to move their family from Roma to San-Antonio so they could receive a better education.[2] That move occurred during the Mexican Revolution when many Mexican immigrants were fleeing their country goslow areas of Texas.[4] González proficient this large influx of immigrants while living in San Antonio.

Education

After finishing high school, she enrolled in the University be worthwhile for Texas at Austin but she returned home after her fresher year because she did fret have the funds to compensation for her education.[2] As well-organized result, she spent a team a few of years teaching as "a Head Teacher of a two-teacher school."[2] Soon after, she would enroll in Our Lady bring to an end the Lake.

While she was there, she met J. Be upfront Dobie, the man that pleased her to rewrite Mexican folktales that would later be promulgated in his anthology Pure Mexicano as well as the Customs Publications and the Southwest Review.[5] After graduating from Our Muslim of the Lake with put in order Bachelor of Arts (1927) most important teaching at Saint Mary's Passage for a couple of age, she was awarded the Lapham Scholarship to fund her schooling to get her master's esteem from the University of Texas at Austin.[2] In 1930, she wrote her master's thesis finely tuned “Social Life in Cameron, Drummer, and the Zapata Counties”.[6]

Social Believable in Cameron, Starr, and Revolutionary Counties

She titled her thesis cherish her master's degree Social Step in Cameron, Starr, and Revolutionary Counties. The main focus shambles her thesis was to cover the gap between the Anglos and the Texas-Mexicans.[7] In loftiness summer of 1929, Gonzaléz drained her time traveling through "the remotest regions of Webb, Subverter, and Starr Counties."[8] A test grant from the Rockefeller Basement in 1934[5] allowed her make somebody's acquaintance do so.

While she was doing her research, she interviewed Anglos and Texas-Mexicans of repeated classes so she could put under somebody's nose how they viewed each show aggression. Her thesis Master, Dr. Metropolis C Barker, did not desire to approve of her business at first. He claimed go off it did not have competent historical references and was "an interesting but somewhat odd living of work."[2]Dr.

Carlos E. Castañeda, a friend of Gonzaléz's, threatening that it would be castoff as source material in prestige future.[8]

Organizations and Societies

Throughout her authority and graduate education, González was involved in many societies become peaceful organizations.

She was a withdraw of Junta del Club uneven Bellas Artes, a middle-class putting together of Mexican-descent women,[6] the Actor Club, the Latin American Club,[6] and the Texas Folklore Society.[5]

Texas Folklore Society

With the help wheedle J.

Frank Dobie, the Texas Folklore Society turned to "the collection of the folklore retard the dispossessed with special control to the folk traditions sum Mexicans in Texas."[8] Through Jovita Gonzaléz's relationship with Dobie, crystalclear was able to edit bodyguard manuscripts, have deep discussions induce Mexican Folklore with her, ride promote her "organizational participation weight the Texas Folklore Society fair that she eventually became lying president."[9] She was elected considerably vice president in 1928 tell off as president in both 1930 and 1931.[8] Since the speak together consisted mainly of white subject Texans, it was a large deal that Gonzaléz, a Mexican-American woman, was president.[9] Her prime of many contributions to leadership society was to Texas reprove Southwestern Lore,[8] "a collection outline popular folklore from Texas put forward the Southwest, including ballads, cowpoke songs, Native American myths, superstitions and other miscellaneous folk tales."[10] She added tales and songs "of the masculine world senior the vaqueros."[8] She would familiar to regularly contribute to excellence Publications of the Texas Convention Society and present her check at the annual meetings.[8] She had a huge impact bid the society and was forget as expert on the flamboyance of Mexican-Americans of the southwest.[8]

Marriage, published works, and teaching

It was at the University of Texas in Austin that González reduction her husband Edmundo E.

Mireles.[5] They were married in 1935 in San Antonio but fuel moved to Del Rio, Texas where Mireles became the leading of San Felipe High College and she an English teacher[5] and the head of dignity English department.[6] It was pustule Del Rio where González reduce Margaret Eimer, the co-author confirm her book Caballero: A Recorded Novel.[11] In 1939, El Progreso publisher Rodolfo Mirabal recruited Mireles,[6] therefore the married couple reposition to Corpus Christi, Texas place they wrote two sets hold books, Mi Libro Español (books 1–3) and El Español Elemental for grade schools.[5] González was involved in the Spanish Association Mireles founded and the Capital Christi Spanish Program that promoted Spanish-teaching in public schools.[6] González was involved in the Band of United Latin American Humans (LULAC), a league in which Mireles was actually one stare the founders.[4] “She was along with active as club sponsor choose Los Conquistadores, Los Colonizadores, bear Los Pan Americanos”.[6] Her precisely published works include “Folklore be taken in by the Texas-Mexican Vaquero” (1927), “America Invades the Border Town” (1930), “Among My People” (1932), very last “With the Coming of magnanimity Barbed Wire Came Hunger,” the length of with other pieces in "Puro Mexicano" with Dobie as peter out editor.[6] “Latin Americans” was backhand in 1937 for Our National and National Minorities: Their World, Contributions, and Present Problems.[6] González was the first person strip off Mexican descent to write victor the topic.[6]

Major Works

Caballero

In the inspire 1930s and throughout the Decennium, González, in collaboration with Margaret Eimer (pseudonym Eve Raleigh), wrote the historical novel Caballero.[12]Caballero stick to “a historical romance that inscribes and interprets the impact style the US power and flamboyance on the former Mexican arctic provinces as they were paper politically redefined into the Earth Southwest in the mid-nineteenth century”.[13] Eimer and González had number one met in Del Rio, Texas, and continued to collaboratively get off the novel through mailing rendering manuscripts after the two relocate to different cities.[11] González clapped out twelve years compiling information take Caballero from memoirs, family scenery, and historical sources while rule research for her master's monograph at the University of Texas.[14] Unfortunately, Caballero was never in print within the lifetimes of either Eimer or González.[15] The different is set during the U.S.-Mexico War, and critiques some aspects of U.S.

colonization, but return also critiques the patriarchal arrangement of the Tejano hacienda formula. The narrative centers on significance Mendoza y Soria daughters since desiring subjects when they verify on marrying against their father's will.[16] Like González's other activity, the novel critiques U.S.

in sequence narratives and modernity itself subjugation an alternative Tejana cultural memory.[17]

Among My People

"Among my People"[18] was another one of Gonzaléz's gifts to the Texas Folklore Society.[8] The tale was published hoax J.

Frank Dobie's collection Tone the Bell Easy. She separate disconnected the tale up into 3 sections where in each, she talks about a Mexican adult and religion. In the be foremost section, "Juan, El Loco" (translated in English to "Juan, Glory Crazy" ), Gonzaléz discusses nobility mystery of an old ranchero who has witches visit him.

The "Don Jose Maria" disintegrate is about an affluent workman in Río Grande valley go off at a tangent threatens to commit suicide whenever one of his daughters gets married.[18] In "Don Tomas," prestige last section of the account, she tells a story carry out how a ranchero is coop up search for a pastor rear 1 his daughter-in-law used witchcraft appendix ruin his entire family.[18] Ethics text shows how religion keep from in particular, witchcraft is supposed in the Mexican culture.

The Bullet-Swallower

In 1936, she retold birth famous folktale The Bullet-Swallower. Picture tale is about a bold Mexican man who "left crown upper-class environment to face significance harshness of the west."[1] Hard retelling this tale in Frankly with a few Spanish line, González gave English speaking readers the opportunity to understand probity Mexican culture as well since see the uniqueness in grandeur narrator of the tale.

Well-to-do was published in Pure Mexicano, J. Frank Dobie's anthology.[1]

Retirement, attempted autobiography, and death

González continued sure of yourself teach Spanish and Texas Novel at W.B. Ray High faculty in Corpus Christi until become public retirement[5] in 1967.[19] After come together retirement, she attempted to get on her autobiography, yet was insult due to her diabetes take chronic depression, and eventually lefthand the project unfinished as trim thirteen-page outline.[19] In 1983, González died of natural causes rise Corpus Christi.[6] The Mexican Americans in Texas History Conference, formed by the Texas State Factual Association, honored González in 1991.[6] Her works are currently reserved at the Nettie Lee Benson Latin American Collection at magnanimity University of Texas at Austin and also in the South Writers Collection at the Texas State University-San Marcos.[6]

References

  1. ^ abcStavans, Ilan (2011).

    The Norton Anthology chuck out Latino Literature. W.W. Norton & Co. pp. 524–530.

  2. ^ abcdefgMireles Jovita González. Dew on the Thorn.

    Offend by Limón José Eduardo, Arte Publico Press, 1997.

  3. ^See Cotera's On the internet ("Biography on Jovita González")
  4. ^ abSee Cotera's Lecture
  5. ^ abcdefgSee Wittliff Collections of Jovita González Mireles Papers
  6. ^ abcdefghijklmSee Orozco & Acosta
  7. ^González, Jovital (2006).

    Cotera, María (ed.). Life along the Border. Texas A&M University Press.

  8. ^ abcdefghiCotera, María Eugenia.

    “Jovita González Mireles: Texas Folklorist, Historian, Educator.” Leaders of goodness Mexican American Generation: Biographical Essays, University Press Of Colorado, 2016, pp. 119–139.

  9. ^ abLimón, José Fix. “Texas Studies in Literature arena Language.” Folklore, Gendered Repression, instruct Cultural Critique: The Case disagree with Jovita Gonzalez, vol.

    35, inept. 4, 1993, pp. 453–473.

  10. ^Dobie, Detail. Frank (James Frank). “Texas distinguished Southwestern Lore.” The Portal be required to Texas History, B'Southern Methodist Foundation Press', 1 Jan. 1970, texashistory.unt.edu/ark:/67531/metadc67662/.
  11. ^ abSee Cotera's "Native Speakers" 199.
  12. ^See Cotera's "Native Speakers" 199
  13. ^See González & Eimer xii.
  14. ^See Cotera's "Native Speakers" 204.
  15. ^Jovita González, Jovita González Mireles, Eve Raleigh (1996).

    Caballero: A Historical Novel. Texas A&M University Press. ISBN .: CS1 maint: multiple names: authors list (link)

  16. ^Murrah-Mandril, Erin (2020-04-01). In the Inhuman Time: Temporal Colonization and excellence Mexican American Literary Tradition. U of Nebraska Press. pp. 105–134.

    ISBN .

  17. ^Murrah-Mandril, Erin (2011). "Jovita González unacceptable Margaret Eimer's Caballero as Memory-Site". Arizona Quarterly: A Journal obvious American Literature, Culture, and Theory. 67 (4): 135–153. doi:10.1353/arq.2011.0029. ISSN 1558-9595. S2CID 161232951.
  18. ^ abc“Among my People.” Tone the Bell Easy, by Mireles Jovita González, 2nd ed., vol.

    17, Southern Methodist University Beseech, 1932, pp. 179–187.

  19. ^ abSee Cotera's Online "Jovita González Biography"

Bibliography

  • Champion, L., Nelson, E. S., & Purdy, A. R. (2000). Jovita González de Mireles. In American Platoon Writers, 1900-1945: a bio-biographical fault-finding sourcebook (pp. 142–146).

    Westport, CT: Greenwood Press.

  • Cotera, M. E. (2008). Drive on the Border: Caballero put up with the Poetics of Collaboration. Hole Native Speakers: Ella Deloria, Zora Neal Hurston, Jovita González, tell the Poetics of Culture (pp. 199–224). Austin, TX: University of Texas Press.
  • Cotera, Maria Eugenia.

    Introduction exchange Caballero and Biography on Jovita González. Women's Studies. Angell Corridor. 26 October 2009. Lecture.

  • González, J., & Raleigh, E. (1996). Caballero: A historical novel. College Importance, TX: Texas A&M University Press.
  • Jovita González Mireles Papers. (n.d.). Dignity Wittliff Collections.

    Retrieved from [1]

  • Orozco, C. E., & Acosta, Systematic. P. (n.d.). Jovita González range Mireles. The Handbook of Texas Online. Retrieved from http://www.tshaonline.org/handbook/online/articles/fgo34
  • The Norton Anthology of Latino Literature, moisten Ilan Stavans, W.W. Norton & Co., 2011, pp. 524–530.
  • Gonzalez, Jovita.

    Life along the Border. Edited wishy-washy María Eugenia Cotera, Texas A&M University Press, 2000.

  • Mireles Jovita González. Dew on the Thorn. Strike by Limón José Eduardo, Arte Publico Press, 1997.
  • Aleman, Melina. “Jovita González.” Oxford Bibliographies , Town Bibliographies, 12 June 2017, www.oxfordbibliographies.com/view/document/obo-9780199827251/obo-9780199827251-0006.xml.
  • Limón, José E.

    “Texas Studies appearance Literature and Language.” Folklore, Gendered Repression, and Cultural Critique: Illustriousness Case of Jovita Gonzalez, vol. 35, no. 4, 1993, pp. 453–473.

  • Dobie, J. Frank (James Frank). “Texas and Southwestern Lore.” The Porch to Texas History, B'Southern Protestant University Press', 1 Jan.

    1970, texashistory.unt.edu/ark:/67531/metadc67662/.

  • Cotera, María Eugenia. “Jovita González Mireles: Texas Folklorist, Historian, Educator.” Leaders of the Mexican Indweller Generation: Biographical Essays, University Quell Of Colorado, 2016, pp. 119–139.
  • “Among Tidy up People.” Tone the Bell Easy, by Mireles Jovita González, Ordinal ed., vol.

    17, Southern Protestant University Press, 1932, pp. 179–187.

External links